Why we choose to be in TDM

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[splashcast OBGL5898HN]

Most of the companies today has the mentality of driving people to be productive. Instead of motivating intrinsically, they give extrinsic rewards, so people would work hard ensure, take sufficient exams or perhaps do something more extreme to ensure that they could climb up another step on the corporate ladder.

People’s passion and energy either dries up doing this day after day, or they start devoting them into other areas, which results in job-hopping.

The Digital Movement(TDM), is one organization I am in for nearly 8 months. I knew some of the people a while ago; longest dates back to 2+ years ago.

Here is a little history of TDM from Dinois Chuia, in which she mentioned things like the old name of TDM, how we got the support from NTUC and more.

Today, we had a little discussion about TDM history:

And why each one of us would like to be in the TDM

Estee + Some Questions:

Zhen Hoe + A screaming me:

I actually think I did make many valid points through the screaming session, however, ZhenHoe shut down during the discussion and therefore, nothing got done at the end of the day.

Swati (A MBA Graduate):

Me (Me la..) :

Dionis (A lot of management) :

Together we can make a difference!

Audio Links (for those who are using a RSS reader)

http://www.dodowolf.org/1Dinonis.mp3
http://www.dodowolf.org/4Me.mp3
http://www.dodowolf.org/6Swati.mp3
http://www.dodowolf.org/5Sharing-ZhenHoe.mp3
http://www.dodowolf.org/2Estee.mp3
http://www.dodowolf.org/3History.mp3

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2 thoughts on “Why we choose to be in TDM

  1. This are all subject to Copyright Act 2006, first no. is the section number and the number in () are the sub-section number.
    18 (2) interprets the meaning of sound recording and records
    87 (1) states “copyright shall subsist in a sound recording of which the maker was a qualified person at the time when the recording was made.”
    97 (1)(2)(3) states “the maker of a sound recording is the owner of any copyright subsisting in the recording”
    82 (1) gives the copyright owner the rights to “(a) to make a copy of the sound recording; (b) to enter into a commercial rental arrangement in respect of the recording;
    (c) to publish the sound recording if it is unpublished; (d) to make available to the public a sound recording by means of, or as part of, a digital audio transmission.”
    So in summary, for a publishing like this for non-commercial purpose, I do not need to get the copyright from you
    A more modern English version could be found here:
    Singapore Intellectual Property Office

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